A free Education & Community Engagement program
Lecture | The Politics of Opera: A History from Monteverdi to Mozart
author and Baruch College political science professor
Sunday February 18 at 3 pm
Princeton Public Library Newsroom
65 Witherspoon Street, Princeton
free and open to the public
Presented By The Princeton Festival Guild in partnership with the Princeton Public Library and Princeton University Press
a wide-ranging look at the interplay of opera and political ideas through the centuries
The Politics of Opera, which takes readers on a fascinating journey into the entwined development of opera and politics, from the Renaissance through the turn of the nineteenth century. What political backdrops have shaped opera? How has opera conveyed the political ideas of its times? Delving into European history and thought and an array of music by such greats as Lully, Rameau, and Mozart, Mitchell Cohen reveals how politics – through story lines, symbols, harmonies, and musical motifs – has played an operatic role both robust and sotto voce.
Cohen begins with opera’s emergence under Medici absolutism in Florence during the late Renaissance – where debates by humanists, including Galileo’s father, led to the first operas in the late sixteenth century. Taking readers to Mantua and Venice, where composer Claudio Monteverdi flourished, Cohen examines how early operatic works like Orfeo used mythology to reflect on governance and policy issues of the day, such as state jurisdictions and immigration. Cohen explores France in the ages of Louis XIV and the Enlightenment and Vienna before and during the French Revolution, where the deceptive lightness of Mozart’s masterpieces touched on the havoc of misrule and hidden abuses of power. Cohen also looks at smaller works, including a one-act opera written and composed by philosopher Jean-Jacques Rousseau. Essential characters, ancient and modern, make appearances throughout: Nero, Seneca, Machiavelli, Mazarin, Fenelon, Metastasio, Beaumarchais, Da Ponte, and many more.
This discussion will interest all who love opera and are intrigued by politics, offering a compelling investigation into the intersections of music and the state.
In addition to The Politics of Opera, Mitchell Cohen is the author of Zion and State and The Wager of Lucien Goldmann. He has edited two volumes of political writings and served as the co-editor of Dissent for eighteen years. He is currently Professor of Political Science at Baruch College.