Youthful Masterpieces, Authentic Performances
Choral Concert with Baroque Orchestra
The Princeton Festival Chorus
The Princeton Festival Baroque Orchestra
Gregory Geehern, conductor
Saturday June 30 at 7:00 pm
Miller Chapel, Princeton Theological Seminary
64 Mercer Street, Princeton
Concert Tickets: $35 Preferred | $25 General | $15 STUDENTs
Tickets will go on sale in March.
General Admission Seating
Approximate length: 1.5 hours
PLEASE JOIN US IMMEDIATELY AFTERWARDS FOR A FREE “MEET THE ARTISTS” RECEPTION
(1685 – 1759)
Bach and Handel, the two towering geniuses of the Baroque era, were born in Germany in the same year, just 80 miles apart. They never met, and their lives were as different as their musical styles. Yet between them they created the music that both defined the late Baroque era and inspired generations to come.
The Princeton Festival Baroque Orchestra and Chorus present one masterpiece by each, both composed in the first flush of genius around 1707, when the two men were 22 years old.
About the music
Bach’s cantata Der Herr denket an uns (The Lord is mindful of us), BWV 196, may have been written for a
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Handel’s Dixit Dominus, HWV 232, displays a brilliance of style that was no doubt influenced by the music of Italy, where he was living when it was composed. The nine-movement work, based on text from Psalm 110, opens with an orchestral prelude leading into a lively, spacious-sounding choral section. The work includes arias for alto and soprano, a duet for sopranos, and choral sections. While the Italian influence is prominent, the Handel of Messiah can already be heard in this early piece.
Bach’s compositions had little circulation outside central Germany, where he spent his whole life. He was influenced by the music of France and Italy, but adapted those styles to the purposes of his own intricate works, which were written primarily for court and church.
Handel, by contrast, crisscrossed Europe early in his career. He became an international celebrity, achieving widespread fame in Italy and England as well as Germany. He quickly absorbed the methods of Italian opera and concerti, achieving popularity in both fields.
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Juan Carlos Zamudio, concertmaster
Playing to sold-out crowds since 2015, the Princeton Festival Baroque Orchestra features rising young stars of historically-informed performance playing period instruments.